On the 19th June I am off to see Whilst at the Lilian Baylis Studio. This production is described as an experience which merges physical theatre, interactive Virtual Reality (VR) and Augmented Reality (AR) technologies and an art installation, in an environment that blurs the boundaries between consciousness and unconsciousness, reality and fiction, the physical and the virtual, exploring the story from one of the 76 different perspectives.
I work in technology so when I heard AR and VR mixed with immersive theatre and what appears to be a make your own adventure book – I had to find out more.
I interviewed Aoi Nakamura and Esteban Fourmi, the founders of AΦE and the creators of the show.
Continue reading “Interview: WHIST Lilian Baylis Studio, Sadler’s Wells @Sadlers_Wells @AoiEsteban”
Reinventing the wheel of immersive theatre, Parabolic Theatre present an escape room-like experience with a high level of interaction where the audience determines the direction and flow of the story.
Heartbreakingly, when it comes to female pelvic pain, it is often never mentioned at all even to the best of friends, out of fear, shame and the worry of disgusting or displeasing the men in our lives. Sex should be pleasurable for everyone involved, and if it’s not, you should be able to discuss it openly, not just grit your teeth, go through unbearable amounts of pain, make the noises and hope it finishes quickly. #LieBackAndThinkOfEngland – we’ve all heard the saying before, and it’s quietly depressing. Modern society has moved past having to wear skirts that cover our ankles, we’re no longer required to be housewives first (not that making a full-time job out of raising the next generation of humans isn’t kickass), and we got the right to vote. So shouldn’t all that mean that we should be at a place where we can mention painful sex and the monthly visit from Aunt Flo without half the population cringing in fear? Apparently not.
American director Kate March along with her all-female creative collective, I AM, brings her unique mixture of choreography, performance art and food to London for a limited run this Spring.
Well, you can’t have that, can you? Prison orange really doesn’t suit you…
coming from her mouth but instead that of one of her puppet friends or, more recently, unsuspecting audience members. But this isn’t that, this is a phone. I may be overthinking things because I am pleased and surprised to be talking to someone of whom I am a fan.
My partner, Kerry Adamson, and are both have a huge love for amazing food, great performance and unusual experiences. I’m a massive foodie, and Kerry is a performance artist so to us it made sense to combine our two worlds in order to create what was initially amazing dinner parties which would transform the way people eat out. We started out in our kitchen hosting pop-up supper clubs playing around with this performance meets art meets music meets food and along the way invented what is now popularly known as ‘immersive dining’ and what Gingerline is now today.
and an American poet who began by writing him fan letters, only to become terminally ill just as Lewis discovered his true feelings for her. I can only imagine the tears that will be shed.
Following the exciting announcement of Immersion Theatre’s open air adaption if The Wizard of Oz, I was lucky enough to have a chat with the creative team and cast. First up, Immersion Theatre’s Artistic Director and Writer, James Tobias Clifford and Co founder and Oz’s Wicked Witch of the West, Michelle Parry. 