Tweetingit: 4* The ancient and modern meet head on as social media lends a hand in this inventive production of Shakespeare’s bloodiest tale.
The techno phobe lurking deep within me is now under control thanks in no small part to the ever inventive Show Must Go Online. It’s difficult to imagine how a theatrical production could possibly work on Zoom via YouTube. But these talented thespians turn the trick despite a maddening dip in sound levels.
However the company were undaunted and the gremlins were thankfully defeated. Zoom splits the screen which can feature anything between two and eight actors at any given time. Stage directions are provided with vision mixing according to the requirements of each scene. A green border marked the actor when they spoke as a surprisingly tense live performance began.
Titus Andronicus explores the vagaries of power and ambition as fragile alliances are made and broken at will. The Roman Emperor is dead and his sons Saturninus (Wayne Lee) and Bassianus (Khuyen Le) are fighting over who should succeed him. However Marcus Andronicus (Julia Walker Wyson) appears to calm troubled waters with the announcement that brother Titus (Michael Bertenshaw) is the people’s choice of Emperor. Titus will shortly return from a victorious war against the Goths with numerous scores to settle.
From an actor’s point of view it can’t be easy delivering a performance under these conditions. Actors invariably take their cue from other cast members.
They rely on gestures and mannerisms when delivering a line. Eye contact is vital in timing the correct response especially on stage. All these physical prompts the actors might rely upon are, inevitably largely missing but this did not matter. There was the occasional moment where they spoke over each other’s lines and in these circumstances, this is an occupational hazard but it never troubled the performer nor viewer. The company happily improvised props and links to smooth the transition between scenes.
An actor will never just do a reading, it is always more than that and this group of fantastic actors prove this.
The Show Must Go Online has also produced an online guide for viewers staging a themed party including themed drinks and food. The mind wanders to dark places where Titus Andronicus is concerned but hey, why not?
Tweetingit: 3*** Andrew Lloyd Webber’s magic touch just about sees this sequel to Phantom through any rough patches. But it’s sometimes difficult to see the join with plainly familiar melodies.
The sequel is generally confined to the big screen where we’re accustomed to roman numerals in the title and resigned to the money printing potential of a follow-up tale. However, in the theatre it’s rarely if ever tried with any degree of success.
Who else but Andrew Lloyd Webber would have the nerve and financial muscle to pull it off? Despite ALW’s protestations Love Never Dies is a sequel to Phantom of the Opera. Negative previews in 2010 forced a re-write before it opened for a year-long run in the West End. However, a planned Broadway transfer was shelved after more mixed reviews. The show decamped to Australia in 2011 where it generally found a warmer reception. This film is a recording of the show staged at the Regent Theatre in Melbourne.
Last Friday I got dressed up, drank champagne, ate ice cream and explored the gloriously odd world of The Grand Budapest Hotel. I did in my living with with 1000s of people from around the world thanks to Secret Sofa.
Secret Sofa is a new branch of the highly acclaimed Secret Cinema. It is obviously slightly different as you cannot possibly get the same level of interactivity without the incredible amount of work that goes into the standard Secret Cinema experience, but this is all about what you make it and if you put in some effort, it is blooming brilliant.
The premise is this:
Every Tuesday you receive an email telling us what the next film is. You are given some activities and instructions which we can choose to do, or not, it is up to you. You find a place to stream the film and then on Friday night, the community gathers on Facebook. Announcements are made throughout the afternoon/early evening. This week that included a fabulous Spotify playlist to get us in the mood. 15 minutes before you start the film, a member of Secret Sofa immerses you in the world of that film. This week it was the Lobby boy, Henrik. ( Kieran Mortell). He welcomed the guests, told us of the happenings in the hotel, promised to hold any sordid secrets until his death, and taught us to waltz.
Tweetingit: 4* A one-legged man with a parrot on his shoulder looking for treasure never fails to grip the imagination. A classic story refreshed and rebooted for the London stage.
For a novel first published in 1883 Treasure Island remains an enduring classic. No less than nineteen film and TV adaptations have been made including animated features and a memorable Muppet movie. The story’s appeal lies in the spirit of adventure and promise of untold riches, fighting with pirates and stealing away hidden treasure. We played this story out in our minds as children and this excellent production recreates the magic once again.
Old sailor Billy Bones (Aidan Kelly) takes up lodging at the Admiral Benbow Inn on the English coast. Innkeeper’s child Jim Hawkins (Patsy Ferran) learns of a one-legged seafaring man while Bones fights with old shipmate Black Dog (Daniel Coonan). A blind beggar called Pew (David Stern) later tempts Bones with the promise of a map showing buried treasure. However, Bones dies of a stroke shortly afterwards as Pew and cronies lay siege to the Inn. Hawkins and her mother escape with a package taken from Bones’ belongings. The package contains a map of an island where infamous pirate Captain Flint had hidden treasure. With the help of Dr Livesey (Alexandra Maher) and squire Trelawney (Nick Fletcher) they raise an expedition to the island. Their appointed crew includes the mysterious Long John Silver (Arthur Darvill), a man with history and more than a passing interest in the booty.
Do you enjoy luxury and decadence? Are you Rich, old, insecure, vain, superficial, needy and liberally perfumed? Well The Grand Budapest Hotel is the place for you, and this Friday you get to escape lockdown and head there with many 1000s of other new clientele.
This might be one of the most exciting things I have seen for a while!
Secret Cinema, have been helping fans since 2008 to immerse themselves in their favourite imaginary worlds for real. Stranger Things, Dirty Dancing, Back to the Future, Blade Runner and many more have been tackled by them so far and now they are creating a weekly Secret Sofa for us to enjoy from our homes.
It is time to escape this madness and join 1000s of other households (potentially from all over the world) and immerse ourselves in the Secret Sofa world.